Musings on the Human Condition

The soundtrack for Ishqiya is another wonderful result of the longstanding partnership between Sampooran Singh Kalra (aka Gulzar) and Vishal Bhardwaj. They have previously partnered to produce hit soundtracks such as Maachis and Omkara. Dil To Bachcha Hai Rahat Ali Khan does his usual magic. Ibn-E-Batuta Perhaps the most memorable of the film's songs, delivered inimitably by Sukhwinder Singh and Mika. The "phurrr" here is reminiscent of "dhan-tanaan-tanan-tanan" in Kaminey (also by Vishal Bhardwaj). The raw, verbally percussive impact of "phurr" and "dhan-tanaan" helps to recall Amit Trivedi 's brilliance in Chakkar Ghumyo and Phas Gaya (both from Aamir). Ab Mujhe Koi Badi Dheere Jali Both rendered exquisitely as only Rekha Bhardwaj can, with semi-classical underpinnings. And yet, they have enough populism built in to grow on you increasingly with each listen. Dil To Bachcha Hai (Remix) Ibn-E-Batuta Nucleya (Remix) Ibn-E-Batuta (Remix)

Lately, either Bollywood (India's equivalent of Hollywood) increasingly seems to be entranced by sufi music or I've been noticing it a lot more due my growing interest in the sufi music genre. When a friend recently asked me to come up with a list of sufi songs featured in Bollywood movies, I figured it was a perfect idea for a blog post. Of course, sufi music has been far too prevalent in Bollywood for me to attempt a comprehensive listing. What follows then is a representative list that also calls out some of my favorite songs, singers, and composers . But before we begin let's briefly describe what defines the sufi genre of music. Sufism is a mystical tradition within Islam wherein there is a heavy emphasis on having the practitioner sing and dance (whirl) with extreme soul and passion in order to express love for Allah or God. It is no wonder that sufi songs evoke such a positive response from the audience. Note that whereas the qawwali (group) form of sufi music has...

It is true. I suffer from Rahmania -- an insatiable appetite for the music of AR Rahman . However, analyzed closely, it's merely a hunger for good music. And this longing for transformative music has, of course, led me to explore not only anything and everything put out by Rahman but to also to acquaint myself with his predecessors and potential successors. My search culminated with the discovery of two excellent pieces on Rahman. The first article is AR Rahman: The Road to the Oscars by Baradwaj Rangan , written for a forthcoming issue of the Rolling Stone magazine's Indian edition (launched in February 2008). This is a golden piece that could only have been written someone who has been living and breathing Rahman for much of the past two decades or so since Rahman burst onto the scene with his revolutionary score for the movie Roja (1992). Rangan offers juicy, must-read vignettes of Rahman's major musical milestones. The very well informed comments that follow the long...